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| Publications : Departmental Publications : Post Script : Back Issues : Vols. 6 - 10 | |||||||||||||
| Vol 6, No. 1 - Philosophy and Film | |||||||||||||
| Philosophic
Dialogue on Film The Aesthetics of Film Dialogue Locating Truth in Film Idealist and Realist Theories of Documentary William Friedkin Interview (Part 2) |
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| Vol 6, No. 2 - Autobiography and Film | |||||||||||||
| Lizzie Borden
Interview Fellini as Autobiographer Woody Allen in the 80s Choreography as Autobiography in All That Jazz Wim Wenders in America Luis Bunuel Book Review: Kurosawa’s Something Like an Autobiography |
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| Vol 6, No. 3 | |||||||||||||
| Francis Coppola
Interview The Conversation and Sound Technology Citizen Kane through Zelig A Disney Film That Wasn’t Purple Rain and the Prince Aesthetic Annual Bibliography of Film Studies Book Review: A Certain Tendency of the Hollywood Cinema, 1930-1980  |
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| Vol 7, No. 1 - French Cinema | |||||||||||||
| Before Fantomas Immigrant Artists and the Look of French Films Carné’s Les Portes de la Nuit Sartre and Citizen Kane Sartre and Cinema Le Camion de Marguerite Duras |
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| Vol 7, No. 2 - Film and Philosophy | |||||||||||||
| Zen and Kurosawa’s
Films |
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| Vol 7, No. 3 | |||||||||||||
| Ontological Critique
in Werner Herzog Film and Phenomenology: Aguirre, Wrath of God Viewer as Reader in Stroszek Annual Bibliography of Film Studies Book Review: German Film and Literature |
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| Vol 8, No. 1 | |||||||||||||
| Roger Corman
Interview The Democratic Comedy of Preston Sturges Aliens and the New Family Romance Coppola’s Faerie Tale Theatre Francis Coppola Interview (Part 2) Book Reviews: Five Screenplays by Preston Sturges; Andy Warhol’s Art and Films |
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| Vol 8, No. 2 | |||||||||||||
| Jack Green Interview Acting for Theatre and Film Realism and Artifice in The Southerner; Peter Greenaway Inter-Review Book Reviews: Psychiatry and Cinema; The Marx Brothers |
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| Vol 8, No. 3 | |||||||||||||
| Dream in
Blue Velvet |
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| Vol. 9, Nos. 1 & 2 | |||||||||||||
| Tony Buba Interview Amadeus on Stage and Screen John Michael Hayes and The Children’s Hour; The Passenger, Lacan, and the Real Yoshimitsu’s Sorekara (And Then) Fellini-Grotesque The Rhetoric of Documentary Book Reviews: Australian Movies and the American Dream; French Film Theory and Criticism, 1907-1930. |
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| Vol. 9, No. 3 | |||||||||||||
| Dean Semler Interview Top Gun and Postmodern Mass Culture Aesthetics The Visual Design of Casablanca The Silencing of Women in the Hollywood “Feminist” Film: The Accused Annual Bibliography of Film Studies |
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| Vol. 10, No. 1 - Film and/as Technology | |||||||||||||
| Harlan Ellison
Interview Technicolor in Hollywood Special Effects in Silent Film Toward a Phenomenology of Cinematic and Electronic Presence Science Fiction Film in the Age of Electronic (Re)Production |
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| Vol. 10, No. 2 - Feminist Criticism and Film | |||||||||||||
| Lizzie Borden’s
Working Girls Gender in Diva Female Naming in Cinema Lifestyles of the Rich and Famous in Imitation of Life Race, Gender, and the Exotic in Love is a Many-Splendored Thing and The World of Suzie Wong They Were Sisters: The British Woman’s Film |
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| Vol. 10, No 3. | |||||||||||||
| Horton Foote
Interview Hitchcock and the Transcendence of Tragedy Hitchcock: Misogynist or Feminist? Canadian Free Animation Annual Bibliography of Film Studies Book Review: Chinese Film Theory |
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