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| Publications : Departmental Publications : Post Script : Back Issues : Vols. 16 - 20 | |||||||||||||
| Vol 16, No. 1 - Hispanic Film | |||||||||||||
| Hispanic Film:
An Introduction The Mirror and the Mask: Cinematographic Adaptation of Juan Marsé’s El amante bilingüe Towards a Psychoanalysis of Culture: Sex, Nation, and the Praxis of the Liminal in American Me and The Labyrinth of Solitude Down the Streets of Time: Puerto Rico and New York City in the Films Q&A and Carlito’s Way The Postmodern Hybrid: Do Aliens Dream of Alien Sheep? There’s Many a Slip Between Good Intentions and Script: The Milagro Beanfield War Book Review: Hispanic and United States Film: An Overview Handbook Post Script Index 1981-1996, Vol. 1-15 |
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| Vol 16, No. 2 - Literacy and Film | |||||||||||||
| Literacy and
Film: An Introduction Reading, Language Acquisition, and Film Strategies Film Frames: Literacy and Satiric Violence in Contemporary Movies Looking in the Wrong Direction: Displacement and Literacy in the Hollywood Serial Killer Drama Educating Eliza: Fashioning the Model Woman in the “Pygmalion Film” Reading, Writing, and Internalizing Cultural Narratives in Melanie and Stanley and Iris Robert Richardson, Cinematographer: An Interview |
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| Vol 16, No. 3 | |||||||||||||
| Barbara Hammer,
an Interview: Re/Constructing Lesbian Auto/Biographies in Tender
Fictions and Nitrate Kisses Sayonara Can Mean “Hello”: Ambiguity and the Orientalist Butterfuly Syndrome in Postwar American Films “Some Horrible Dream About (S)mothering”: Sexuality, Gender, and Family in the Alien Trilogy “Life is Very Precious, Even Right Now”: (Un)Happy Camping in the New German Cinema Book Review: Viewing Positions: Ways of Seeing Film Annual Bibliography of Film Studies—1996  |
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| Vol 17, No. 1 - Shakespeare and Film—Adaptations | |||||||||||||
| Introduction Kenneth Branagh at the Quilting Point: Shakespearean Adaptation, Postmodern Auteurism, and the (Schizophrenic) Fabric of ‘Everyday Life’ Petruchio’s House in Postwar Suburbia: Reinventing the Domestic Woman (Again) Double Takes: Branagh Gets to Hamlet Changing Colors Like the Chameleon: Ian McKellen’s Richard III from Stage to Film The Veiled (Hot) Bed of Race and Desire: Parker’s Othello and the Stereotype as Screen Fetish An Interview with Michael Maloney A Note on Richard III Shakespeare on Screen: A Bibliography of Critical Studies |
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| Vol 17, No. 2 - Shakespeare and Film—Derivatives and Variations | |||||||||||||
| Introduction The Incorporation of Word as Image in Prospero’s Books Kings of the Road: My Own Private Idaho and the Traversal of Wells, Shakespeare, and Liminality Now: The Presence of History in Looking for Richard New Romantic Shakespeare: AIDS, Poetry, and Community Survival in Derek Jarman’s The Angelic Conversation Mixing Media in Shakespeare: Animating Tales and Colliding Modes of Production Expressionist Shakespeare: The Gade/Nielsen Hamlet (1920) and the History of Shakespeare on Film Book Review: Shakespearean Films/Shakespearean Directors CD-ROM Review: Macbeth: The Voyager Shakespeare Shakespeare and Film—Derivatives: A Bibliography |
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| Vol 17, No. 3 - Paul Verhoeven | |||||||||||||
| Clint Eastwood:
An Interview The Erotic Thriller Time-Traveling Under the Autumn Moon Opaque Skies: Wings of Desire—Angelic Text, Context, and Subtext Bringing the (Gender) War Home: Vietnam and Elia Kaza n’s The Visitors Annual Bibliography of Film Studies—1997 |
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| Vol 18, No.1 - Contemporary Japanese Cinema | |||||||||||||
| Introduction New Japanese Cinema Irezumi: Tattoo, Taboo, and the Femal Body Japanese Girl Films: Oobayashi’s Chizuko’s Younger Sister and Jun Ichikawa’s Tsugumi Brownian Movement in Recent Japanese Film Madadayo: No, Not Yet for the Japanese Cinema Heisei Tanuki-Tassen: Pon Poko Dreaming About Women—The Family Films of Tamasaburo Bando The New Generation of Japanese Film Producers Generation?: The Evolution of Women’s Roles in Two Films by Masayuki Suo Sazaku: Documenting the Country Family in Contemporary Japan Blue vs. Red: Takeshi Kitano’s Color Scheme |
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| Vol 18, No. 2 - Canadian Cinema 2 | |||||||||||||
| Introduction |
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| Vol 18, No. 3 | |||||||||||||
| Interview:
James Woods |
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| Vol 19, No. 1 - Special Issue: Hong Kong Cinema | |||||||||||||
| Introduction:
Hong Kong Movies, Critical Time Warps, and Shapes of Things to Come The Beginning of the Hong Kong New Wave: The Interactive Relationship Between Television and the Film Industry Industry on Fire: The Cultural Economy of Hong Kong Media Fashion, Femininity, and Historical Design: The Visual Texture of Three Hong Kong Films The Heroic Trio: Anita Mui, Maggie Cheung, Michelle Yeoh Self-Reflexivity and the Globalization of the Hong Kong Action Heroine Cities, Cultures and Cassettes: Hong Kong Cinema and Transnational Audiences Organizational Hegemony in the Hong Kong Cinema A Life of Its Own: Musical Discourses in Wong Kar-Wai's Films |
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| Vol 19, No. 2 - Special Issue: Generation X Films | |||||||||||||
| Introduction:
Gen X Films Generation X: Searching for an Identity? "It's all about bucks, kid. The rest is conversation." Framing the Economic Narrative from Wall Street to Reality Bites Generation X and Postmodern Cinema: Slacker Angry Young Women: The Emergence of the "Tough Girl" Image in American Teen Films The Seductive Slack in Before Sunrise Kevin Williamson and the Rise of the Neo-Stalker |
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| Vol 19, No. 3 | |||||||||||||
| Dede Allen:
An Interview Scatological Film Practice: Pulp Fiction and a Cinema in Movements Clint Eastwood's Last Cowboy: The Bridges of Madison County Misreading "Little Limp Lo" and "Humbert the Terrible": The Obfuscation of Child Abuse in Adrian Lyne's Lolita Annual Bibliography of Film Studies--1999 |
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| Vol 20, No. 1 - The Films of Kurosawa Akira | |||||||||||||
| Introduction |
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| Vol 20, No. 2, 3 - Chinese Cinema | |||||||||||||
| Introduction:
Centennial Reflections on Chinese-Language Cinemas Transcultural Spaces: Toward a Poetics of Chinese Film Shadow Opera: Towards a New Archeology of the Chinese Cinema Bodies in the Air: The Magic of Science and the Fate of the Early "Martial Arts" Film in China Politics and Poetics of Hou Hsiao-hsien's Films Working from the Margins: Urban Cinema and Independent Directors in Contemporary China Borrowing Postcolonial: Wu Nien-chen's Dou-san and the Memory Mine Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan's Body and Sylvia Chang's Slao Yu Diaspora and National Identity: Exporting "China" through the Hong Kong Cinema Hong Kong Diaspora Film and Transnational TV Drama: From Homecoming and Exile to Flexible Citizenship (In)authentic Hong Kong: The "(G)local" Cultural Identity in Postcolonial Hong Kong Cinema Hong Kong Electric Shadows II: Recent English Publications on Hong Kong Cinema |
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