....
 |
|
|
|
|
|
|
|
|
|
|
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
|
| Publications : Departmental Publications : Post Script : Back Issues : Vols. 11 - 15 | |||||||||||||
| Vol 11, No. 1 - Japanese Cinema | |||||||||||||
| Kazuo’s Life
as a Cameraman The Economy of Sexuality in The Mistress Memory and Nostalgia in Kurosawa Morita Revising Ozu in The Family Game New Narrative Film in Japan Book Review: Japanese Films: A Filmography and Commentary |
|||||||||||||
| Vol 11, No. 2 - John Cassavetes Special Issue | |||||||||||||
| The Road Not
Taken Cassavetes’s Working Methods: An Interview with Al Ruban and Seymour Cassel John Cassavetes’s Transgressive Impulse in Performance and Style Cassavetes’ Love Streams Program Notes from the American Tour of the Complete Films A Review of Cassavetes Criticism Cassavetees Annotated Bibliography |
|||||||||||||
| Vol 11, No. 3 | |||||||||||||
| Interview: Stephen
Frears Reflections on Dead Poets Society Argentine Cinema, 1976-1991 Home Movie: The Beerdrinker’s Guide to Fitness and Filmmaking Annual Annotated Bibliography of Film Studies Book Review: Woody Allen: A Biography  |
|||||||||||||
|
|||||||||||||
| Vol 12, No. 1 | |||||||||||||
| Silence of
the Lambs
and Women Storyteller in Wings of Desire Late Kuroswa: Kagemusha and Ran Peter Greenaway’s A Zed and Two Noughts Horror Films of Oliver Stone Book Reviews: The Press: Observed and Projected; All that Hollywood Allows: Rereading Gender in 1950s Melodrama |
|||||||||||||
| Vol 12, No. 2 - Film Acting | |||||||||||||
| Introduction Interview: Lindsay Crouse Theoretical Issues in Studies of Film Acting Clint Eastwood in White Hunter, Black Heart “Excess” in Film Acting The Rendering of Joan of Arc in Cinema |
|||||||||||||
| Vol 12, No. 3 - Paul Verhoeven | |||||||||||||
| Paul Verhoeven
Interview Total Recoil: The Schwarzenegger Body on Postmodern Mars The Politics of Total Recall Basic Instinct as White Noir Annual Bibliography of Film Studies |
|||||||||||||
|
|||||||||||||
| Vol 13, No.1 - Film Theory | |||||||||||||
| Introduction Affect, Cognition, and the Power of Movies Cognition, Emotion and Cinematic Narrative Cognitive Account of Cinematic Illusion Cognitive Approach to Continuity Blue Steel and Progressive Feminism in the ’90s ‘Look Back’ in Cinema |
|||||||||||||
| Vol 13, No. 2 | |||||||||||||
| Generic
Crossroads with Thelma and Louise |
|||||||||||||
| Vol 13, No. 3 | |||||||||||||
| Interview,
Film Editor Pietro Scalia |
|||||||||||||
|
|||||||||||||
| Vol 14, No. 1, 2 - Psychoanalysis and Film | |||||||||||||
| Introduction Seduced and Abandoned? Feminist Film Theory and Psychoanalysis in the 1990s Safeguarding the Real Advances: Psychoanalysis and the History of Film Theory Returns in the Real: Lucan and the Future of Psychoanalysis in Film studies Psychoanalysis and Cinema Studies: A “Queer” Perspective “Well, I Guess I Must Make You Nervous”: Woman and the Space of Alien3 I Burn for Him: Female Masochism and the Iconography of Melodrama in Stahl’s Back Street (1932) A Turn for the Better?—Genre and Gender in Girl from Hunan and Other Recent Mainland Chinese Films Fassbinder’s Ali and the Politics of Subject-Formation Homocolonialism: Looking for Latinos in Apartment Zero and Paris is Burning Book Review: Illuminating Shadows: The Mythic Power of Film |
|||||||||||||
| Vol 14, No. 3 | |||||||||||||
| Slippery When
Wet: En-Sexualized Transgression in the Films of Pedro Almodóvar Bakhtinian Dialogics in Hector Babenco’s Kiss of the Spider Woman Murnau’s Nosferatu: Romantic Painting as Horror and Desire in Expressionist Cinema Batman Returns: From the Comic(s) to the Grotesque Annual Bibliography of Film Studies Book Reviews: Screen Memories, Film: An International History of the Medium, and Cinema: The First Hundred Years |
|||||||||||||
|
|||||||||||||
| Vol 15, No. 1 - Canadian Cinema. | |||||||||||||
| Introduction Canada’s Ten Best Middle of Nowhere: Ontario Movies After 1980 Léo Who?: Questions of Identity and Culture in Jean-Claude Lauzon’s Léolo Technology’s Body: Cronenberg, Genre, and the Canadian Ethos Nature, Culture, Documentary: The Films of Kevin McMahon Conversation with Atom Egoyan Book Review: Atom Egoyan and Canadian Dreams: The Making and Marketing of Independent Films |
|||||||||||||
| Vol 15, No. 2 - David Cronenberg | |||||||||||||
| Introduction:
The Cronenberg Project: Literature, Science, Psychology, and the Monster
in Cinema Lost and Gone Forever: Cronenberg’s Dead Ringers Somatic Ideas: Cronenberg and the Feminine Cronenberg’s “Only Really Human Movie”: The Dead Zone Festering in Thebes: Elements of Tragedy and Myth in Cronenberg’s Films Medicine, Lust, Surrealism, and Death: Three Early Films of David Cronenberg Creating a New Reality: Cronenberg on Cronenberg, David Breskin’s Inner Views: Filmmakers in Conversation and Crhis Rodley’s Cronenberg on Cronenberg David Cronenberg Filmography |
|||||||||||||
| Vol 15, No. 3 | |||||||||||||
| Oliver Stone
Interview Next Best Thing to a Time Machine: Quentin Tarantino's Pulp Fiction Shinoda's Mahihime: Short Story into Action Monster Boomer: Interview with David Skal Annual Bibliography of Film Studies, 1995 |
|||||||||||||
|
|||||||||||||
....
