| Publications
: Departmental Publications
: Post Script : Back
Issues : Vols. 1 - 5 |
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| Vol
1, No. 1 |
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Robert Altman
Interview (Part I)
Movie Scenery and Popular Architecture
The Depression Musical
Reading at the Movies
Film Titles in Translation
The Hawksian Woman as Agent of Destruction
Murnau’s Comic Vision
Book Reviews: Film in History; American Animated Cartoon; Cinemabilia
Catalogue 7; Contemporary Literary Criticism;
Movies and Entertainment |
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| Vol
1, No. 2 |
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Robert Altman
Interview (Part 2)
Bettleheim, Wertmuller, and Survival
Bruce Dern and the Making of Coming Home
Val Lewton’s Children
The Tramp as Text
Book Reviews: Narrative Structure in Four Films of Frank Capra;
Some Time in the Sun |
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| Vol
1, No. 3
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Don Bluth Interview
The Road to Xanadu
Film Genre: A Dialogue
The End of Screwball Comedy
Book Reviews: Robbe-Grillet; The Hollywood Professionals,
Vol 7  |
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| Vol
2, No. 1 |
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Malle on Malle
(Part l)
Film as Dream: The French Lieutenant’s Woman
A Look at Blow Out
Val Lewton’s Cat People
Book Reviews: Ideology and the Image; Ingmar Bergman and
the Rituals of Art; Cinema Texas Notes;
Masters of the American Cinema |
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| Vol
2, No. 2 |
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Malle on Malle
(Part 2)
Edward Hopper, Nighthawks, and Film Noir
Dovzhenko’s Aerograd and Stalinist Terror
Notes Toward a Syntagmatic Analysis of Program/Commercial Ads on American
Television
Book Reviews: Currents in Japanese Cinema; Dance in the Hollywood
Musical |
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| Vol
2, No. 3 |
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Ken Russell Interview
Nathanael West’s Screen Treatment of A Cool Million
Annual Bibliography of Film Studies
Book Reviews: Eisenstein at Work; A History of Narrative Film |
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| Vol
3, No.1 |
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Sydney Pollack
Interview
Reflection and Distortion in Horror Films
Renoir’s Neglected Masterpiece
Feminist Criticism
Book Reviews: Religion in Film; Godard: Images, Sounds, Politics |
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| Vol
3, No. 2 - Film and Modernism |
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Reflections
on Dada and the Cinema
Films That Never Transcend the Realm of Art
European Anti-Melodrama: Godard, Truffaut and Fassbinder
Fassbinder’s Despair; Modernist Form in Land In Anguish
and Memories of Underdevelopment
Book Review: Fellini’s Road |
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| Vol
3, No. 3 |
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Dana Preu
on Gal Young Un
Film as Religious Art
Annual Bibliography of Film Studies
Review
Essay—Four on Chaplin
Book Review: Adventures in the Screen Trade.  |
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| Vol
4, No. 1 |
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Vittorio Storaro
Interview (Part l)
The Stunt Man, Politics, Metaphysics & Psychoanalysis
The Grail Myth in Excalibur & Apocalypse Now; Adaptation
and Die Glaserne Zelle
Book Review: About John Ford |
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| Vol
4, No. 2 |
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Vittorio Storaro
Interview (Part 2)
Steve Geller on Slaughterhouse-Five
A Report on Bruce Conner
Regeneration Through Disaster in San Francisco
Book Reviews: French Cinema: The First Wave; The
Dark Side of Genius: The Life of Alfred Hitchcock
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| Vol
4, No. 3 |
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Milos Forman
Interview (Part I)
Blaise Cendrars’ L’Or as Cinematic Novel
Annual Bibliography of Film Studies  |
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| Vol
5, No. 1 |
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Milos Forman
Interview (Part 2)
West of Eden: Terrence Malick’s Days of Heaven
What the Stunt Man Learns
Myth, Order, and the Photographic Image in Blow-Up
Book Reviews: Kino-Eye; Dark Cinema: American
Film Noir in Cultural Perspective; The Light on her
Face; Museum of Modern Art Circulating Film Library Catalog
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| Vol
5, No. 2 |
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Christopher Miles
Interview
Wim Wenders’ The State of Things
Hitchcock, Art, and the Ideal
The Twenty-Third New York Film Festival
Review: Cahiers du Cinema: The 1950s |
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| Vol
5, No. 3 |
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William Friedkin
Interview (Part I)
Myth and Archetype in Walkabout
James Dickey’s Deliverance
Annual Bibliography of Film Studies
Book Reviews: Dreadful Pleasures; The Living and the Undead; Dreams
of Darkness; The Classical Hollywood
Cinema  |
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